The square that defined a character for forty years is worth 3 dollars
A number that everyone knows, that no one collects. What the August 29, 2026 statement reveals about reputation and the market.
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A number that everyone knows, that no one collects. What the August 29, 2026 statement reveals about reputation and the market.
Read article →An anthology does not have a price, it has as many as there are sections. What the two readings from August 29, 2026 really achieve.
Read article →Ten issues, two volumes, a true ending. The anticipation of Remender who has aged in reverse, and the best entry point into his work.
Read article →Remender's only multi-artist series. The number of a booklet mainly designates who drew it: which reverses the logic of collection.
Read article →Complete author and self-published for thirty years. Three entry points, and why circulation matters more than coverage here.
Read article →Ninety chapters over fourteen years. How to approach it, and why the number on the cover is not enough to identify a booklet.
Read article →Remender's most beautiful series and the most demanding. Why his interruptions gave him an undeserved reputation for incompleteness.
Read article →Three entry points depending on what you are looking for, what connects its series, and the trap of successive editions which is expensive for busy buyers.
Read article →Asking prices as of August 28, 2026: Deadly Class #1 doubles as a variant, Black Science #1 does not move a cent. The number of variations explains everything.
Read article →His characters don't regret having failed, they regret having succeeded. The same mechanism under incomparable genres.
Read article →Tokyo Ghost, Low, Death or Glory, The Scumbag: four complete stories in one or two volumes, and a market anomaly on certified copies.
Read article →Asking prices as of August 28, 2026: the classification is reversed between raw and certified copies, and the multiple varies from 5.3 to 11.5 times depending on the titles.
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