Charlton's characters, and the work they made possible
A 1983 editorial rejection produced one of the most widely read graphic novels. What Ted Kord left there, and why rejection made everything better.
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A 1983 editorial rejection produced one of the most widely read graphic novels. What Ted Kord left there, and why rejection made everything better.
Read article →Four characters redeemed together, four opposing destinies, and twenty dollars apart. Statement of August 29, 2026.
Read article →One of the medium's most beloved friendships, and it's only one thing away. Why their solo series disappoint, and why reading order matters.
Read article →On issues from the 1940s, raw and certified do not sell the same item. What the August 29, 2026 reading really shows.
Read article →Animation creates notoriety, not a market. What the reading of August 29, 2026 demonstrates about a character carried by television.
Read article →Seven to ten times cheaper per unit, but a name that serves as a keyword and content not listed. Statement of August 29, 2026.
Read article →What co-starring brings to a figure, and what it takes away. Statement of August 29, 2026.
Read article →A character who does not have a market but a platform. What the August 29, 2026 readings show.
Read article →What an editor gains from having a bridge character, and what it imposes on the figure. Statement of August 29, 2026.
Read article →Absent supply is not a sign of scarcity. How to distinguish scarcity, retention and indifference. Statement of August 29, 2026.
Read article →The raw segment invaded by recent comics, the authentically old verified segment. Statement of August 29, 2026.
Read article →The affection of a readership only becomes a prize if there are many of them. What a short series leaves behind. Statement of August 29, 2026.
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