Practical guides, expert advice and resources to manage, value and grow your comic book collection.
All Star Comics #58 (1976), Showcase #97 (1978), Power Girl #1 (2009). Its origin has been written three times: the rewrite numbers do not appear in any index.
Read article →UXM #221 (1987), silhouettes of 1986, UXM #168 (1983). And a category that no one references: the numbers where he acts without ever appearing.
Read article →Wilson Fisk's key issues, scattered between Amazing Spider-Man and Daredevil. ASM #50, DD #170, Born Again, Typhoid Mary: what to aim for according to your budget.
Read article →Tier S, A, B, C and D. A classification built on a separation: the structural value — slow and irreversible — against the speculation of adaptation, rapid and reversible.
Read article →First decide: the man or the identity? The trap of the cameo, what the overproduction of the 1990s implies, and the exhaustive collection of solo series for a paltry budget.
Read article →Build a Storm collection without paying for four characters: cut into the Claremont river run, aim for 1983-1986, and recognize a nice example from the 1980s.
Read article →His first series had an unusual format and price: a larger, more expensive and less printed issue cannot be kept like the others - and cannot be judged like the others.
Read article →Almost all of his key numbers are expensive because of other characters. The only segment that belongs to it — the limited series of 1982 and 1985 — is also the least expensive.
Read article →Collecting a plot rather than a character: 20 issues, from 1981 to 1990. The trap of the annual format, the Gambit question, and why this collection is ending.
Read article →An entourage made up of people to whom he owes a debt or a fault. His indirect keys predate his own first appearance by four years.
Read article →Super-Villain Team-Up (1975): the rare series where Doctor Doom and Namor are protagonists. Key to the Bronze Age, singular status of the character.
Read article →The 1998 series vs Fantastic Four #48 (1966): the character added by Kirby outside the script, the successful graphic bet, and the end at the 13th episode. Key numbers.
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