Practical guides, expert advice and resources to manage, value and grow your comic book collection.
Three demonstrations that the community considered improbable in 1993. An influence which is not measured by the successors but by the arguments that it has withdrawn.
Read article →A self-published author has no one to sell his rights abroad. What it involves before starting a series, and how to compose despite the gaps.
Read article →Neither the plot nor the drawing: the dialogues. How they work, what they allow, and why his stories are reread.
Read article →One hundred and fifty chapters in total. One volume to test, two short series to confirm, the major work last, and the three unnecessary expenses to avoid.
Read article →Advance printing, go through the distributor, decide on reprints, manage stock. What the model requires, and the traces it leaves on objects.
Read article →A disappearance holds when it has a structural function, not just a dramatic one.
Read article →In an ad title, the year that counts is the one that accompanies the name of the collection, not the one that accompanies the character.
Read article →Three formulations to designate the same thing: research that uses only one misses the others.
Read article →The position in the summary is information that the market integrates and that inventories ignore.
Read article →Poems, songs, silent plates. What they do to the story, the argument of those who reject them, and why the binding matters here.
Read article →Two characters constructed in opposition on everything except the essential. Why we judge one wrongly, and why David is not a rival.
Read article →Three number ones, three collections of collections, reprints invisible from the front. The only stable unit is the chapter range.
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