Void Rivals #1, published by Skybound in June 2023, is written by Robert Kirkman and drawn by Lorenzo De Felici, with Matheus Lopes on colors. It tells the forced meeting of two pilots from enemy camps, in a science fiction story conceived as an original creation within the Energon universe. Collectors look for it because it carries Kirkman's signature, because it opens a long-running series and because it is the space-bound counterpart to Transformers.

Robert Kirkman spent twenty years writing series where violence serves as a magnifying glass on human relationships. When Skybound launched its shared universe in 2023, the opening job could have gone to a well-known brand. Instead, Kirkman chose to write a new story, with characters nobody had ever read.

That decision makes Void Rivals #1 a special issue in the line: it is not the rereading of a license, it is a foundation. For a collector, the question is whether a foundation can weigh as much as a famous name, and under what conditions.

As always in this guide, only verified information (creators, issues, dates) is stated as fact; the analysis is our own, with no reproduction of protected pages or dialogue.

The issue: the team, the date, the starting point

Void Rivals #1 came out in June 2023 from Skybound. Robert Kirkman wrote it, Lorenzo De Felici drew it, and Matheus Lopes colored it. The exact on-sale date can be checked on the publisher's calendar; as with any recent release, lists copied on forums sometimes confuse the retail release with the delivery to retailers.

The premise comes down to one situation: two pilots from warring camps end up stranded together and must cooperate to survive. The issue sets up the scene, the balance of power and the ambiguity that will drive the series, without revealing the deeper reasons for the conflict.

Lorenzo De Felici's art favors clean lines and expressive faces, far from the massive silhouettes of its Transformers neighbor. The two series share a publisher and a universe, not a style. That contrast is precisely what makes reading them in parallel interesting.

The Energon universe and where Void Rivals fits

Energon is the name Skybound gave to a shared universe built around Hasbro properties, including Transformers and G.I. Joe. Its distinctive trait is that it includes, from the start, a series that belongs to no preexisting brand.

Void Rivals plays that role. It brings the whole a space setting, a mythology of its own and an author whose reputation as a world builder is established. The choice of Kirkman for this job also reminds us that Skybound, which Kirkman cofounded in 2010, is not only a publisher: it is the company that keeps its own series alive on screen and on paper.

For a collector, this shifts the question. You do not buy this #1 for a license you already know, but for the promise of a world the series builds in real time. Its future value then depends on how solid that construction is, and therefore on the length of the series and the consistency of the universe.

Why this issue matters for a collection

Three elements point to it as a key issue, with different degrees of certainty.

The first, solid: Robert Kirkman. The first issues of the major series, The Walking Dead in 2003 and Invincible the same year, are now reference pieces. A #1 by Kirkman, even in a new register, fits naturally into that lineage. It does not yet extend it by market value; it extends it by name.

The second, structural: the opening role. Void Rivals #1 is a foundation issue for a shared universe, and issues of this type are sought after as long as the universe holds. The opposite is true too: if the whole runs out of steam, that founding role loses weight.

The third, conditional: the series' success over time. Critical recognition and reader reception will decide this #1's place in three or five years. No print run figure can settle that question for you today.

The three levers of market value: condition, print run, cover

The market value of a 2023 comic is not settled. It is still forming, and its variations depend on three things you can observe yourself.

Condition first. A recent issue is almost always flawless at release, which makes the quest for the perfect grade tighter than on an older issue: the gap is played out on a corner, a spine or an edge, not on decades of handling. The wider the value gap between an average copy and a perfect one, the more defensible grading becomes.

Then the print run. A #1 with heavy orders gets reprinted, and reprints pile up when demand stays strong. What you are looking for is the first printing; what you should watch is how fast the later ones appear, which measures the market's real appetite.

Finally the cover. Void Rivals #1 exists with a main cover and with variant covers, including versions reserved for retailers. We cite no ratio or print run for the variants: only the copy in hand and the publisher's list are authoritative. The article on ratio covers gives the method for deciphering them.

Telling a first printing from a reprint

Proceed in this order. Open the credits page: a reprint shows its printing number there, while the first printing carries none. Then look at the cover, since a reprint sometimes changes its colors or background. Finally, examine the barcode and the exclusivity logos, useful for retailer covers.

Once the examination is done, photograph the credits page. You then hold proof of printing that is independent of any listing, useful for a resale or for insurance.

For collected editions, the rule is different: a bound volume does not replace a single issue, it complements it. It suits the reader who wants to follow the story without piling up thin paper, but it does not follow the same market logic.

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Buying pitfalls

The most common pitfall is buying a variant cover at the price of a rarity without checking that it is one. A cover exclusive to one retailer is not necessarily limited to a small number of copies; do your research before paying a premium.

The second pitfall is series confusion. Void Rivals has its own #1 issues for the regular series and for possible one-shots in the universe; a seller who does not say which one is on offer leaves you guessing. Ask for the exact title and a photo of the credits page.

The third is speculating on an announcement. An adaptation rumor attracts hurried buyers for a few weeks. If the adaptation is not officially confirmed, it should not enter your calculation.

Neighboring issues to keep an eye on

Within the series, issues #2 and #3 continue the setup and are followed by those who want a complete set from the start. They share the same creative team, which makes them a coherent reading block.

Within the universe, the big interest is spotting the moments when the series meet. An issue that makes two Energon series talk to each other changes status: it stops being a simple episode and becomes a milestone, and therefore a collecting candidate. Watch the publisher's announcements, and wait for their confirmation before building up a stock.

On the author side, Robert Kirkman fans compare this #1 with the first issues of older creations. It is a good way to compare eras: how does the same author open a series in 2003, and how do they open one in 2023?

What grading changes

Grading acts as a rarity filter. On a 2023 issue, many copies can aim for the top grade, which makes the premium at the top depend on the census. As long as few copies are certified, a high grade can seem rare; as the census grows, the premium erodes. Our explanation of CGC grading details the scale.

The question to ask before sending in a copy is therefore twofold: is its likely grade high enough to justify the fees, and has the census already made that level commonplace? If the answer to either is no, keep the copy raw in a suitable sleeve.

Also keep a record of what you decide. A collection that mixes raw and graded copies without distinguishing them becomes impossible to estimate correctly the day you want to value it.

How to track it in a collection

A series that stays open for several years calls for discipline. Create one line per issue, with three fields: cover, printing, condition. Then add the purchase date and the source, which will help you during an estimate.

If you follow the universe as a whole, shelve the #1 issues of each series by release date. You will see how Void Rivals fits into the Energon timeline, and you will more easily spot the issues that link the series together. Our collection tracker lets you keep this list without a spreadsheet.

Conclusion

Void Rivals #1 is not an issue to buy for its rarity. It is an issue to buy for the name that writes it, for the place it holds in a still-young shared universe, and for the bet an author makes by opening a new story among famous licenses.

What will move its market value is known: the length of the series, how well Energon holds up, the frequency of reprints and the growing scarcity of high-grade copies. None of these factors is guaranteed. So buy with method, check the edition, and decide on grading based on the census rather than the enthusiasm of the moment.

Frequently asked questions

Robert Kirkman writes the script, Lorenzo De Felici draws and Matheus Lopes colors. The issue is published by Skybound in June 2023. It is an original creation that does not rely on a Hasbro brand, but it takes place in the Energon universe the publisher is building around those licenses.

Both series belong to the same shared universe, Energon, published by Skybound. They have different creative teams, tones and settings, but they are part of a common project. To find out how they come together, rely on the publisher's announcements and on the issues that make them cross paths rather than on forum guesses.

Yes, in the sense that the series' characters are born in this issue: it is a new creation, with no earlier existence. That is not enough to make it a lasting key. The series and the universe have to hold up over time, which only the coming years will tell.

Open the credits page: a reprint carries the indication of its printing number, the first printing has none. Then compare the cover with the original and check the barcode. For a retailer cover, look for the exclusivity logo. Take a photo of the credits page to keep the proof.

It depends on what you follow. If you collect the author, start from Robert Kirkman and this #1. If you collect the artist or the license, Daniel Warren Johnson's series answers better. Both open the same universe: the choice comes down to the name you follow.

A Void Rivals #1 by Kirkman and De Felici is sitting in your box: estimate the copy before deciding between keeping it raw and sending it in for grading.

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