Practical guides, expert advice and resources to manage, value and grow your comic book collection.
It comes from elsewhere, and each series must decide what to do with this discrepancy. The seminal run, the 2018 breakup, and recent miniseries.
Read article →Each team faces the same problem: writing a character defined by their emancipation. Solutions found from 1995 to 2021, and where to start.
Read article →From the founding work to Elektra: Assassin (1986, Miller/Sienkiewicz), what each series brings and the mistakes to avoid.
Read article →A character defined by what he knows. What each series does with its intelligence, and how to avoid buying the wrong costume wearer.
Read article →Captain America #1 (November 17, 2004, $2.99): a first appearance which is a return. Two draws, several homonymous number 1s, how to find your way around.
Read article →Tales to Astonish #44 (March 5, 1963, 12¢): two keys in the same series and a British edition at 9d. How to identify the correct copy.
Read article →Avengers #57 (August 8, 1968, 12¢) carries status, but the next issue carries reputation. Which booklet to buy, and why no publishing trap.
Read article →Avengers #54 (May 9, 1968, 12¢): the character acts masked, under another name. His revelation comes in #55. Which number to buy, and why.
Read article →Iron Fist #14 (May 3, 1977): the character begins outside of the X-Men, and the issue exists in 30¢ and 35¢. Identification, creators and pitfalls to purchasing.
Read article →A renowned title currently being numbered, three printings including a Canadian edition, and a key embedded in a famous story. How to find your way there.
Read article →ASM #210 (August 12, 1980, 50¢): forty years of indifference, then a film announcement. What the booklet really contains and how to find it.
Read article →ASM #14 (April 9, 1964, 12¢): Ditko creates a riddle that he leaves the series without solving. Two years of mystery, a British edition at 9d.
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