Black Widow Modern Key Issues: #1 (1999), Waid/Samnee, Thompson, article illustration

The three modern Black Widow key issues are Black Widow #1 (1999, Marvel Knights, Devin Grayson & J.G. Jones: 1st full appearance of Yelena Belova), Black Widow #1 (2016, Mark Waid & Chris Samnee: critically acclaimed run, accessible under €20) and Black Widow #1 (2020, Kelly Thompson: active MCU speculation). Silver and Bronze Age keys hold the highest absolute values: Tales of Suspense #52 (1964, 1st appearance) achieved a verified record of $15,000 (CGC 9.6) and Amazing Spider-Man #86 (1970, 1st black costume) shows a blended eBay median around €13 across all grades and printings. The modern solo series, however, offer realistic entry points for today's collectors.

Natasha Romanova, born Natalia Romanoff, was created by Stan Lee, Don Rico, and Don Heck, making her first appearance in Tales of Suspense #52 (April 1964) as a Soviet spy dispatched against Iron Man. For twenty-five years she remained essentially a supporting character: she recruits Hawkeye in Tales of Suspense #57, dons her iconic black costume in Amazing Spider-Man #86 (1970), and co-headlined Daredevil starting with issue #81 (1971). It was not until 1999 that Marvel finally gave her a solo series worthy of the name.

This guide focuses on modern keys: the 1999, 2016, and 2020 solo series. Methodology note: eBay values for Amazing Spider-Man #86 and Daredevil come from our estimator tool (30 and 47 listings respectively: sufficient coverage). Records for Tales of Suspense #52 and #57, and high-grade Amazing Spider-Man #86 sales, come exclusively from documented web sources (sellmycomicbooks.com, Heritage Auctions). For the modern solo series, no high-grade CGC sales are publicly documented in the databases surveyed; we stay qualitative where data is absent.

Black Widow modern key issues at a glance

All eBay data comes from our estimator tool (real completed sales, all conditions and printings blended). Silver/Bronze Age records are sourced from sellmycomicbooks.com and Heritage Auctions.

By the numbers : Black Widow Modern Key Issues, Documented value
IssueSignificanceDocumented value
Tales of Suspense #52 (Apr. 1964)1st appearance (Silver Age)$15,000 (CGC 9.6, verified record, sellmycomicbooks.com); ~$1,415 (CGC 7.0)
Amazing Spider-Man #86 (Jul. 1970)1st black costume (Bronze Age)$5,750 (record, sellmycomicbooks.com); eBay median ~€13 (30 listings, all grades)
Black Widow #1 (May 1999)1st solo series; 1st full Yelena BelovaNM raw copies trading on eBay; CGC 9.8 copies listed, no publicly documented high-grade sale found
Black Widow #1 (Mar. 2016)Waid/Samnee run: critically acclaimedAccessible under €20 in NM; modest CGC 9.8 speculation
Black Widow #1 (Jun. 2020)Thompson/Casagrande run; MCU specActive raw market; J. Scott Campbell variants attracting speculation

Sources: sellmycomicbooks.com, Heritage Auctions, mycomicscollection.com eBay estimator (30 listings ASM #86; 47 listings Daredevil). Data as of June 26, 2026.

Black Widow #1 (1999, Marvel Knights): the first solo series and Yelena Belova

Published in May 1999 under the Marvel Knights imprint, this three-issue miniseries written by Devin Grayson and drawn by J.G. Jones represents a milestone: for the first time in thirty-five years of publication history, Natasha Romanova had a series bearing her name. The story, two Black Widow program graduates racing to acquire the same bioweapon, pits Natasha against Yelena Belova, a younger, more malleable recruit determined to claim the title for herself. Black Widow #1 (1999) carries a double key designation: it is the first solo series in the character's history and the first full appearance of Yelena Belova, a character who has since become central to the MCU (Hawkeye series, Thunderbolts). Note that Yelena appears briefly in Inhumans #5 (March 1999); the #1 of this miniseries remains the standard reference for first full appearance. Raw NM copies trade regularly on eBay; CGC 9.8 copies are listed but no high-grade sale is publicly documented in the databases surveyed. Collector demand increased after Florence Pugh's breakthrough in the Black Widow film (2021, $379.8M worldwide) and the Hawkeye Disney+ series.

Black Widow #1 (2016, Waid & Samnee): the definitive modern run

Published in March 2016, this Black Widow #1 written by Mark Waid and drawn by Chris Samnee (also providing colors alongside Matthew Wilson) is widely regarded as the character's finest solo run. From the opening page, Natasha breaking out of the Triskelion with classified secrets, the series operates as a relentless narrative chase. The complete twelve-issue run achieves a visual and storytelling consistency rare in mainstream Marvel publishing; Samnee's deliberately cinematic line recalls the great tradition of espionage comics art. For collectors, the #1 is straightforwardly available in NM condition on the secondary market for under €20. Speculation on CGC 9.8 copies has remained moderate: the title did not receive a direct MCU adaptation that would have triggered a demand spike, which is exactly what makes it an intelligent collecting choice: a landmark book, exceptionally well crafted, available at a fair price.

Black Widow #1 (2020, Kelly Thompson): the most recent solo series

Launched in June 2020 by Kelly Thompson (writer) and Elena Casagrande (artist), this series takes a deliberate tonal departure: Natasha finds herself living what appears to be a normal life in San Francisco, complete with a husband and a child she has no memory of acquiring. The disorientation is the point. Thompson: known for her runs on Hawkeye (Kate Bishop) and Mr. & Mrs. X: delivers a psychologically driven story that broadens the character's emotional range beyond pure espionage thriller. The #1 is available raw at modest prices; J. Scott Campbell variant covers have attracted a share of the speculative market. The run benefited from the release of the Black Widow film in July 2021, which temporarily renewed interest across all solo series. No high-grade CGC sale data is publicly documented in the sources surveyed: remain qualitative on this title until auction house records are established.

Black Widow in the MCU: how film and television move comic prices

Portrayed by Scarlett Johansson from Iron Man 2 (2010) through Black Widow (2021), via The Avengers (2012) and Avengers: Endgame (2019), Natasha Romanova is one of the MCU's longest-serving characters. The solo Black Widow film (July 2021) grossed $379.8 million worldwide, released simultaneously in theaters and on Disney+ Premier Access, according to Box Office Mojo. Every announcement of a returning character, particularly Yelena Belova (Florence Pugh), renews demand for solo series keys, especially the 1999 #1 (first full Yelena). Silver Age keys like Tales of Suspense #52 remain out of reach for most collectors but stand as the character's absolute value benchmark. Modern keys offer the realistic alternative for building a meaningful Black Widow collection today.

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Frequently Asked Questions

Black Widow #1 from 1999 (Marvel Knights, Devin Grayson and J.G. Jones), the first solo series and the first full appearance of Yelena Belova, Black Widow #1 from 2016 (Mark Waid and Chris Samnee), and Black Widow #1 from 2020 (Kelly Thompson and Elena Casagrande).

It combines two statuses: it is Natasha Romanova's first solo series after thirty-five years of existence and the first full appearance of Yelena Belova, who became central in the MCU. Yelena appears briefly in Inhumans #5 (March 1999), but the miniseries' #1 remains the reference.

It is unanimously regarded as the best solo run of the character, with twelve issues of rare visual and narrative coherence. The #1 is easy to find in NM at a modest price and speculation on CGC 9.8 copies remains moderate, for lack of a direct adaptation that would have caused a demand spike.

Launched in June 2020, it starts from scratch: Natasha is manipulated into believing she has a normal life in San Francisco, with a husband and child. The J. Scott Campbell cover variants have captured part of the speculation.

Yes, Tales of Suspense #52 (April 1964) is her first appearance, created by Stan Lee, Don Rico and Don Heck, and Amazing Spider-Man #86 (1970) shows her first black costume. They remain out of reach for most collectors, which explains the appeal of the modern solo series as entry points.