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Watchmenis a limited series of12 numberspublished byDC ComicsbetweenSeptember 1986 and October 1987, written byAlan Mooreand drawn byDave Gibbons(colorist: John Higgins). Inspired by Charlton Comics characters bought by DC, the series deconstructs the myth of the superhero in a uchrony where Nixon is still president in 1985. This is theonly graphic novel included in TIME magazine's list of the 100 best novels of all time(2005). The trade paperback compiling the 12 issues is the best-selling graphic novel in history, with more than10 million copieselapsed. A copy of the#1 in CGC 9.8is being negotiated today between$2,500 and $4,500.

In the history of American comics, there is a before and an afterWatchmen. Before September 1986, the superhero was a codified genre, intended for an adolescent audience, governed by the Comics Code Authority and its moral prohibitions. After October 1987, when the twelfth and final issue hits newsstands, nothing will be the same. Alan Moore and Dave Gibbons proved that a comic book could be literature — with a mirrored narrative structure, recurring symbols (the clock, the bloody smiley face, the literary quotations at the end of the chapter), a grid of nine panels per page of absolute rigor, and characters whose psychological complexity had no equivalent in the medium.

This guide traces thebirth of Watchmen, from the acquisition of the Charlton characters by DC until the publication of the last issue, gives thecomplete list of the 12 original issueswith their key issues and market values, and covers all suites and extensions:Before Watchmen(2012),Doomsday Clock(2017-2019), the HBO series (2019) and its impact on the back issue market. By the end of this read, you'll know exactly what to look for, what to buy first, and how to structure a rigorous Watchmen collection.

The genesis of Watchmen: the Charlton characters and Moore's vision (1983-1985)

To understand how Watchmen came to be, we have to go back to1983. DC Comics has just purchased the catalog ofCharlton Comics, a second-tier publisher based in Derby (Connecticut), in gradual bankruptcy since the end of the 1970s. Among the lot are characters created in the 1960s by authors likeSteve DitkoetJoe Gill:Captain Atom(1960),Blue Beetle / Ted Kord(1966),The Question(1967, created by Ditko),Nightshade(1966),Thunderbolt / Peter Cannon(1966) andPeacemaker(1966). DC plans to integrate these heroes into its universe duringCrisis on Infinite Earths(1985-1986).

Alan Moore, a 30-year-old British screenwriter who has just revolutionizedSwamp Thingfor DC since 1984, proposes a radical project: using the Charlton characters to tell a realistic, dark superhero story, in which the masks are broken, violent, paranoid or powerless human beings. His initial proposal, titled“Who Killed the Peacemaker?”, is a murder story that allegedly left several characters dead or unusable.

Dick Giordano, editor-in-chief of DC and formerly of Charlton, refuses: he has just paid for these characters and does not want to see them destroyed in their first major DC appearance. He suggested that Moore createoriginal analogues, inspired by Charlton archetypes but distinct enough to be sacrificed. Moore accepts, and this editorial refusal will prove providential: freed from DC continuity, Moore can push his deconstruction much further.

Charlton matches → Watchmen

Every character in Watchmen is a distorted mirror of a Charlton hero, amplified by Moore's thematic obsessions:

The role of Dave Gibbons:If Moore is the narrative mastermind,Dave Gibbonsis the visual architect without whom Watchmen would not exist in this form. It is Gibbons who imposes thestrict grid of 9 boxes(3×3) per page, creating a mechanical visual rhythm like a clock — the central metaphor of the work. The coloristJohn Higginscompletes the trio with a deliberately dull, anti-heroic palette, which contrasts with the bright colors of DC comics of the time.

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La publication des 12 issues (septembre 1986 – octobre 1987)

Watchmen sort sous le label DC Comics, en format prestige: hardcover, better quality paper than standard newsstand, and absence of the Comics Code Authority seal — a first for a major DC series. Publication spans 14 months, from September 1986 to October 1987, with some delays between the final issues.

Each issue follows an identical structure: the main story (drawn by Gibbons), followed by a prose appendix that enriches the universe — extracts from Hollis Mason's autobiographical book (Under the Hood), psychiatric reports, fictitious press articles, military files. This double narration, unique in 1986, gives Watchmen a documentary depth which amplifies the realism. The last exit (#12) does not contain an appendix, signaling the end of all illusion.

La liste complète des 12 issues originaux

#1

Watchmen #1 — "At Midnight, All the Agents…"

Septembre 1986
Key issue majeur

Première apparition de all main characters: Rorschach, Nite Owl II, Dr. Manhattan, Silk Specter II, Ozymandias, the Comedian (as a corpse). The issue opens with the famous image of the bloody smiley face in the gutter and the voice-over from Rorschach's diary. Appendix: first chapters ofUnder the Hoodby Hollis Mason. This is the most sought-after issue in the series.

Valeur CGC 9.8 : 2 500 – 4 500 $
#2

Watchmen #2 — “Absent Friends”

October 1986
Backstory Comedian

Flashbacks on the Comedian's life: Vietnam War, relationship with the Minutemen, attempted rape of Sally Jupiter (Silk Specter I). First appearance in flashback ofMinutemen(1940s team). This issue establishes the moral darkness of the series.

CGC value 9.8: $300 – $600
#3

Watchmen #3 — "The Judge of All the Earth"

November 1986
Dr. Manhattan focus

Introduction to the embedded storyTales of the Black Freighter, the comic-within-a-comic read by a teenager at a Manhattan newsstand. Parallel between nuclear paranoia and the shipwreck of the pirate story. The mirrored structure, Moore's signature, takes on its full scope here.

CGC value 9.8: $200 – $400
#4

Watchmen #4 — “Watchmaker”

December 1986
Narrative masterpiece

Chapter entirely devoted toDr.Manhattan, told in non-linear narration. Jon Osterman simultaneously relives his past (the accident in the intrinsic particle field), his present (the exile on Mars) and his future. It is the most critically acclaimed number, often cited as thebest single issue ever written.

CGC value 9.8: $400 – $800
#5

Watchmen #5 — “Fearful Symmetry”

January 1987
Visual symmetry

The most impressive formal feat of the series: the structure of the number ispalindromic. The first page is the visual mirror of the last, the second of the penultimate, and so on, with the central page as the axis of symmetry. Focus on Rorschach. This technical tour de force is invisible at first reading but revolutionary for the medium.

CGC value 9.8: $200 – $400
#6

Watchmen #6 — "The Abyss Gazes Also"

February 1987
Rorschach origin

The complete origin ofRorschach, told during psychiatric sessions with Dr. Malcolm Long. Walter Kovacs, an abused child, becomes a Rorschach after discovering the murder of a little girl by dogs. The title is a quote from Nietzsche. It is the most psychologically intense issue of the series and one of the most sought after #1.

CGC value 9.8: $300 – $600
#7-10

Watchmen #7 to #10 — The Escalation to the Dénouement

March – July 1987
Act II

#7 “A Brother to Dragons”: focus Nite Owl, theme of powerlessness and return to costume.#8 “Old Ghosts”: escape from Rorschach, death of Hollis Mason (Nite Owl I).#9 “The Darkness of Mother Being”: on Mars, Laurie discovers that the Comedian is her father — Manhattan agrees to return to Earth.#10 “Two Riders Were Approaching…”: Rorschach and Nite Owl identify the conspirator. These four issues form the second narrative act of the series.

CGC value 9.8 (each): $150 – $300
#11

Watchmen #11 — “Look On My Works, Ye Mighty…”

August 1987
The plan revealed

Ozymandiasreveals his plan: he orchestrated the conspiracy from the beginning, eliminated the Comedian, discredited Dr. Manhattan, and is preparing to teleport a giant psychic creature to New York to kill millions and unite humanity in the face of a fictitious extraterrestrial threat. The title quotes Shelley (Ozymandias). The final twist: “I did it thirty-five minutes ago.”

CGC value 9.8: $200 – $400
#12

Watchmen #12 — “A Stronger Loving World”

October 1987
Finale + last number

The aftermath of the attack on New York. The heroes choose to keep Ozymandias' secret to preserve the peace—unlessRorschach, who refuses to compromise and is disintegrated by Dr. Manhattan. Last issue of the series. No appendix in prose, only the last box: the hand of an employee of theNew Frontiersmanwhich approaches Rorschach's journal, leaving the ending open. It is the second most searched number after #1.

CGC value 9.8: $350 – $700

Cultural impact and revolution of the medium (1987-2000)

Watchmen's impact on the comics industry is comparable to that ofThe Dark Knight Returnsby Frank Miller, released the same year (February 1986). Together, these two works pushed mainstream comics into the so-called era"grim and gritty"— dark heroes, explicit violence, ambiguous morality. But where Miller tells a superhero story pushed to the dark, Mooredeconstructedthe very concept of superhero. Watchmen is not a dark comic: it's aanti-comics.

En1988, Watchmen wins theHugo Award("Other Forms" category), a first for a comic book. The same year, DC compiled all 12 issues into onetrade paperbackwhich became the best-selling graphic novel in the history of American publishing. In 2005, the magazineTIMEincludes Watchmen in its list of100 best English novels of all time, alongside1984,Brave New WorldetThe Great Gatsby. It is the only graphic novel to appear there.

The legacy of Watchmen is visible everywhere in comics from the 90s and 2000s: the labelVertigo(1993), the wave of British comics at DC (Neil Gaiman, Grant Morrison, Peter Milligan, Jamie Delano), the fashion for "superheroic deconstructionism" which will culminate withThe Authority(1999),Planetary(1999) and, much later,The Boys(2006) by Garth Ennis.

The rights controversy:The contract signed by Alan Moore and Dave Gibbons stipulated that the rights would revert to the creators when the series left the DC catalog. However, thanks to the ongoing success of the trade paperback, Watchmen is notNeverout of catalog — meaning DC retained the rights indefinitely. Alan Moore considers this a contractual betrayal and has publicly cut ties with DC. He refuses to allow his name to appear on any adaptation or sequel. This dispute shaped the debate over creators' rights in the comics industry.

Before Watchmen (2012): the controversial prequel

EnJune 2012, DC Comics launchesBefore Watchmen, a set of7 mini-series + 1 epiloguetotalizing37 numbers(+ a #0 number). The project explores the past of the main characters, long before the events of the original series. Alan Moore publicly condemns the project and refuses any involvement. Dave Gibbons takes a more measured stance, not participating but not formally opposing.

The mini-seriesBefore Watchmenare as follows:

Critical reception is mixed:MinutemenetSilk Specterare praised, while Straczynski's series receive more divided opinions. For collectors,variant coversof Before Watchmen remain accessible ($20 to $80 at high CGC grade), making it an affordable entry into the Watchmen universe.

Doomsday Clock (2017-2019): Watchmen meets the DC universe

EnNovember 2017, DC launchesDoomsday Clock, a maxi-series of12 numberswritten byGeoff Johnsand drawn byGary Frank, which is a direct sequel to Watchmen and integrates it into the continuity of the DC universe. The concept is audacious: Dr. Manhattan, after leaving the Watchmen universe, went to the DC Universe, where he altered the timeline, causing successive reboots (Crisis, Flashpoint, New 52). Ozymandias, dying of cancer, travels to the DC Universe to find Manhattan and save their world.

The series has sufferedconsiderable delays: the 12 issues run from November 2017 to December 2019.#12reveals that theMetaverseDC is centered around Superman, and that every attempt by Manhattan to alter the universe is corrected by Superman's existence.

For collectors, Doomsday Clock is of specific interest:

The HBO series Watchmen (2019) and its impact on the market

EnOctober 2019, HBO broadcastsWatchmen, a television series9 episodescreated byDamon Lindeloff(Lost,The Leftovers). Rather than a faithful adaptation, Lindelof designs afollowingtaking place in Tulsa (Oklahoma) in 2019, 34 years after the events of the comics. The series includes theTulsa massacre of 1921as a historical backdrop, mixes masked superheroes and white supremacism, and explores the long-term consequences of Ozymandias' plan.

The series is a critical triumph: it wins11 Emmy Awards, including that of the best limited series. The impact on the back issue market is immediate and massive:

Prices have corrected slightly since the post-HBO peak, but Watchmen remains one of the most stable DC series on the secondary market.

Collecting Watchmen: The Original 12 Issues Vs. the TPB

The fundamental question for any Watchmen collector is:should you look for the 12 individual numbers or settle for the trade paperback?The answer depends on your goals.

The original 12 issues (1986-1987)

Singles offer the most authentic experience and best resale value. Here are the points to know:

The trade paperback and compiled editions

Letrade paperback Watchmen(first edition 1987, ISBN 0-930289-23-4) is the best-selling graphic novel in English-speaking history. It has gone through dozens of reprints with different covers. Notable editions include:

Collector's advice:For a long-term investment,12 original issues in CGC 9.4+remain the best choice. #1 and #12 are the two major key issues, followed by #4 ("Watchmaker") and #6 (Rorschach origin). If your budget is limited, start with #1 in good grade, then gradually add to it. The TPB first edition softcover is an excellent addition, but its resale value plateaus well below the graded singles.

Collecting Guide: Where to Start and What to Prioritize

Here is the recommended order of priority by budget level:

The Watchmen Legacy: A Franchise That Never Dies

Despite Alan Moore's continued refusal to endorse any expansion, the Watchmen universe continues to expand.DC Comicsintegrated the characters into its main continuity via Doomsday Clock, then intoDark Crisis(2022), and continues to use Dr. Manhattan as a cosmic deus ex machina in its multiverse mythology. At the same time, HBO has not announced a season 2 (Lindelof said he designed the series as a one-off), but the studio's interest in the franchise remains strong.

For the collector, this means that each new announcement – ​​series, film, video game – causes atemporary increase in pricesout of the original 12 issues. It's a reliable market mechanism: Watchmen is a franchise whose fan base is both large enough to generate demand and cultivated enough to value original editions above reprints.

The best strategy remains to buy duringperiods of media calm, when no adaptation is announced, and to keep in the long term. The original 12 issues of Watchmen are not speculation: they arepermanent classics, whose value is backed by literary, critical and cultural recognition without equivalent in the world of comics.

To go further in your Watchmen collection, consult our specialized guides:the top key Watchmen numbers to knowetthe complete guide to collecting Watchmen.

→ See all “History” articles on the blog

Trademark Warning:DC Comics, Watchmen, Dr. Manhattan, Rorschach, Nite Owl, Silk Specter, Ozymandias, The Comedian and other character names are trademarks of DC Comics / Warner Bros. Discovery. Charlton Comics and the Charlton characters (Captain Atom, Blue Beetle, The Question, Peacemaker, Nightshade, Thunderbolt) are owned by DC Comics. CGC is a registered trademark of Certified Guaranty Company. HBO and the Watchmen (2019) series are owned by Warner Bros. Discovery. My Comics Collection is not affiliated with any comic book publisher. References are made for informational and descriptive purposes only.