The first Daredevil series (1964-1998, 380 issues) is divided into 6 distinct eras: Lee/Colan (#1-100), transition (#101-157), Miller (#158-191, #227-233), Nocenti/JRjr (#236-291), low period (#292-318), and Fall from Grace (#319-380). Total raw value of a complete set: $15,000-40,000 depending on conditions.
Daredevil Volume 1 spans 34 years and 380 issues, representing one of Marvel's longest continuous runs. This series crosses all the stylistic eras of American comics - from the Silver Age to the beginning of the modern era - with absolute peaks (Miller, Nocenti) and clearly identified troughs. For the collector, putting together a complete set is an exciting challenge that requires strategy and patience.
This guide provides acomplete analysis of the first Daredevil series, number by number in terms of value, identifying collection areas and assembly strategies.
Era 1: The Lee/Colan origins (#1-100, 1964-1973)
The first 100 issues established the character under the pen of Stan Lee then multiple writers, with Gene Colan drawing from #20. The quality is uneven but the historical value is undeniable.
Pricing structure:
- #1: $2,000-264,000 depending on condition (the monster of the set)
- #2-6: $100-1,500 each (early issues, Kirby cover)
- #7: $200-5,000 (first red suit, major key issue)
- #8-15: $50-300 each
- #16-17: $80-800 (Spider-Man crossover)
- #18-50: $20-150 each (Colan era, relatively accessible)
- #51-100: $10-60 each (excluding special issues)
Points of attention:issues #1-20 are fragile (Silver Age paper), often restored. #51-100 are the most accessible of this era and are a logical entry point to begin completion.
Era 2: The transition (#101-157, 1973-1979)
Period of relative creative stagnation but with notable moments. The title seeks its post-Colan identity. The screenwriters (Gerber, Wolfman, Conway) deliver honest work without achieving excellence. Bob Brown then Gene Colan (who returned) provided the drawings.
Pricing structure:
- #100: $25-150 (milestone)
- #101-130: $5-20 each (most accessible period of the title)
- #131: $80-7,000 (first Bullseye — key issue Bronze Age)
- #132-157: $5-20 each (excluding #132 at $15-50)
Strategy :This era is the paradise of dollar bins and eBay lots. A patient collector can assemble #101-157 (excluding #131) for $150-300 in lots. #131 trades separately and represents 80-90% of the total value of this section.
Attention Marvel Value Stamps:approximately #108-130 contain stamps that are often cut out. Systematically check the interior integrity before any purchase.
Era 3: Frank Miller (#158-233, 1979-1986)
The most collected and most expensive period of the title (excluding #1). Miller on drawing (#158-191), Miller on script/drawing (#168-191), then Born Again (#227-233). The numbers between his runs (#192-226) are of varying quality but benefit from the Miller context.
Pricing structure:
- #158: $25-2,500 (early Miller art)
- #159-167: $10-100 each (scale up)
- #168: $60-6,000 (first Elektra)
- #169-180: $10-80 each (Elektra saga)
- #181: $30-600 (death of Elektra)
- #182-191: $10-60 each (regular Miller end)
- #192-226: $3-15 each (inter-Miller, very accessible)
- #227-233: $15-250 each (Born Again)
Strategy :assembly in three phases. Phase 1: fillers #192-226 in batches ($30-80). Phase 2: Miller mid-range (#159-167, #169-180, #182-191) individually or in small batches. Phase 3: the keys (#158, #168, #181, #227-233) acquired one by one depending on opportunities.
Era 4: Nocenti/Romita Jr (#234-291, 1986-1991)
Ann Nocenti on screenplay and John Romita Jr on drawing (from around #250). An era that was creatively daring, politically engaged, visually explosive — and absurdly undervalued on the market. Contains the first appearances of Typhoid Mary (#254) and Blackheart (#270).
Pricing structure:
- #234-253: $2-5 each
- #254: $15-130 (first Typhoid Mary)
- #255-269: $2-5 each
- #270: $10-100 (first Blackheart)
- #271-291: $2-5 each
Strategy :buy the complete run in one or two eBay lots for $60-120. This is probably the best quality/price ratio in the entire DD catalog. Original JRjr pages from this period sell for $500-2,000 each at conventions — proof that art collectors recognize the value that the singles market has not yet integrated.
Era 5: The Difficult Years (#292-380, 1991-1998)
The weakest period of the title. D.G. Chichester attempts to modernize with "Fall from Grace" (#319-325, new armored suit) and the "Jack Batlin" identity, but the results are uneven. Karl Kesel brings a lighter tone at the end of the run. The title was canceled at #380 before the Marvel Knights relaunch.
Pricing structure:
- #292-318: $1-3 each (the cheapest in the title)
- #319: $5-15 (debut “Fall from Grace”, new costume)
- #320-325: $3-8 each
- #326-375: $1-3 each
- #376-380: $3-8 each (last issues, completionism)
Strategy :buy the entire #292-380 in one lot for $50-100. These numbers are the easiest and cheapest to assemble. The new armored suit (#319) has a slight speculative appeal if the MCU uses it.
Assembling the complete set: roadmap
Estimated budget for a complete set #1-380:
- In average VG (4.0) condition: $15,000-22,000 (including ~$10,000 for #1 alone)
- In average FN (6.0) condition: $25,000-35,000
- In VF+ condition (8.5+): $40,000-80,000+
Recommended order of acquisition:
- Era 5 (#292-380) — easiest, cheapest, $50-100
- Era 4 (#234-291) — excellent value for money, $60-150
- Era 2 fillers (#101-130, #132-157) — accessible lots, $150-300
- Era 3 fillers (#192-226) — $30-80
- Era 3 Miller mid (#159-167, #169-180, #182-191) — $300-800
- Era 1 late (#51-100) — $300-800
- Era 3 Born Again (#227-233) — $150-500
- Era 1 early (#2-50 excluding #7) — $2,000-8,000
- Individual key issues (#131, #158, #168, #181, #7) — $1,000-10,000
- Daredevil #1 — $2,000-264,000 depending on your ambition
This progression makes it possible to build momentum and expertise before tackling the most expensive acquisitions. Each completed phase strengthens your knowledge of the title and your network of sellers.
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