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The absolute key number for Brainiac remainsAction Comics #242(July 1958), his very first appearance under the pen of Otto Binder and the pencil of Al Plastino, who introduces the bottle of Kandor into the same story. Documented sales range from approximately $475 in grade CGC 1.0 to over $25,900 in grade CGC 8.0, with a strong premium starting at grade VF (8.0) due to the dark purple cover, which is very prone to rubbing. Just behind,Action Comics #276(1961, first appearance of Brainiac 5) andSuperman #167(1964, recast of the origin and duet with Luthor) form the essential Silver Age trio for those who want to collect the character's DNA.

Brainiac occupies a special place in Superman's gallery of antagonists. Where Lex Luthor embodies misguided human ambition, Brainiac represents a cold, external, almost cosmic threat: an intelligence that does not want to dominate humanity but to catalog it before erasing it. This editorial singularity resulted, over nearly seven decades of publication, in a handful of issues which each redefined the character - his origin, his appearance, his mythology - and which, logically, concentrate most of the market value linked to the name "Brainiac" on the vintage and modern comic book market.

This article adopts a deliberately narrow angle: it does not tell the complete biography of the character (for this, ourretrospective dedicated to the history of Brainiacdetails his in-universe journey, his powers and his narrative arcs over six decades) but draws up the concrete list of numbers to know - and, when the data actually exists, how much they have sold for - for anyone who wants to build or complete a collection centered on this character. We add a reading of the market: how TV and animation adaptations have changed demand, and what reflexes to adopt before buying a graded or raw copy.

Before the list, a quick look at the editorial context is necessary to understand why certain issues weigh more heavily than others in collectors' minds.

Brainiac in the history of Superman: the milestones that structure his rating

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Brainiac was born under the pen of Otto Binder and the pencil of Al Plastino inAction Comics #242, dated July 1958. The character is directly adapted from an arc of the daily Superman comic strip published between April and August of the same year, where a similar entity had another name. DC decides to integrate it into the comic book with a definitive name and design, and takes the opportunity to introduce in the same story the bottle of Kandor, the miniaturized Kryptonian capital that Brainiac had reduced before the destruction of the planet. This editorial double - an iconic villain and a major narrative artifact born in the same issue - goes a long way to explaining why this comic is treated as a premier Silver Age piece, along with the first appearances of other major threats of the era.

The character then evolves in waves of retcons, each of which generates its own key number. In 1964,Superman #167completely rewrites his origin: Brainiac is no longer a simple extraterrestrial scientist but a robot built by the Computer Tyrants of the planet Colu to spy on and invade other worlds. It is also in this issue that the now iconic design appears for the first time - the skull decorated with a grid of red diodes, presented as the character's sensory terminals - and that Lex Luthor allies himself with it for the first time. Three years earlier, in 1961, the mythology had already extended into the future withAction Comics #276, which presents Brainiac 5, a descendant of the 30th century claiming affiliation with the original villain but putting his "level twelve intellect" in the service of Good within the Legion of Super-Heroes.

The character then goes through the great post-rebootCrisis on Infinite Earths: John Byrne reinvents it in his seminal mini-seriesThe Man of Steel(1986), where artificial intelligence is now housed in a synthetic body distinct from its original biological envelope. More recently, two milestones have marked the character in the modern era: the return of the classic Silver Age version orchestrated by Geoff Johns and Gary Frank inAction Comics #866(2008), starting point of the "Brainiac" arc which prepares the New Krypton saga, then the complete overhaul carried out by Grant Morrison and Rags Morales in the beginnings of the second seriesAction Comicslaunched with the New 52 in 2011-2012, where Brainiac becomes a sprawling, quasi-Lovecraftian entity that reduces Metropolis itself to the scale of a bottle.

It is this succession of redesigns - origin, design, connection with the Legion, then post-Crisis and New 52 reinventions - which draws the list of key numbers below. For the complete history of the character, his in-universe biography and his powers, ourarticle dedicated to the history of Brainiacremains the reference; here, we focus on the acquisition and market angle.

1

Action Comics #242

July 1958 - Otto Binder (screenplay), Al Plastino (drawing)
Brainiac's first appearance

The founding number. Brainiac arrives on Earth aboard his ship to collect miniaturized cities across the galaxy, and the story immediately introduces the bottle of Kandor, the former capital of Krypton that he had already reduced before the destruction of the planet. The cover, dominated by a dark purple background that is very susceptible to rubbing and discoloration, makes high-grade examples particularly difficult to find - a point that is confirmed by surveys of the Silver Age collecting community.

Documented sales (CGC):from ~$475 (grade 1.0, 2020) to ~$25,944 (grade 8.0, 2020); ~$19,000 in grade 7.5 (2018); between ~$18,000 and ~$11,000 in grade 7.0 (2020-2024)
2

Action Comics #276

May 1961 - Jerry Siegel (screenplay), Jim Mooney (drawing)
1st appearance of Brainiac 5

This issue, published as a back-up in a Legion of Super-Heroes story, presents Querl Dox aka Brainiac 5, a 30th century descendant of Brainiac who claims a kinship with the villain while putting his extraordinary intelligence at the service of the heroes. The same issue also introduces Phantom Girl, Triplicate Girl, Shrinking Violet, Bouncing Boy, and Sun Boy, making this a pivotal piece for collectors focused on the Legion as much as the Brainiac lineage.

Guide value (Overstreet 2014):approx. $144 in grade FN 6.0, approx. $302 in grade VF 8.0 - net premium in high CGC grade due to low availability in high conservation
3

Superman #167

February 1964 - Edmond Hamilton (screenplay), Curt Swan (drawing/cover)
Redesign of the origin + 1st Luthor/Brainiac duo

A major retcon: Brainiac is no longer presented as a simple alien genius but as a robot created by the Computer Tyrants of the planet Colu to infiltrate and invade other worlds. It is in this story, entitled "The Team of Luthor and Brainiac!", that the character first adopts his skull covered with a grid of red diodes - a design which will remain his visual signature for decades - and that Lex Luthor ally with him for the very first time in order to defeat Superman.

Documented sale (CGC):$2,151 in grade NM 9.4, off-white to white pages (auction, May 2008)
4

Legion of Super-Heroes vol. 3 #1

August 1984 - Paul Levitz & Keith Giffen (screenplay), Keith Giffen (drawing)
Launch of the Levitz/Giffen run, return of the Legion of Super-Villains

First issue of the third Legion of Super-Heroes series, this comic opens the five-part arc pitting the Legion against the Legion of Super-Villains and confirms Brainiac 5 as the scientific and emotional pillar of the group under the pen of Paul Levitz, one of the most recognized runs in the history of the title. Like the majority of Copper Age comics published in large circulations, it remains widely accessible in high grade.

Rarity :large vintage print run, CGC 9.6-9.8 copies commonly available - the price depends mainly on the demand for the Levitz run more than on pure rarity
5

The Man of Steel #3

November 1986 - John Byrne (screenplay/drawing)
Brainiac's post-Crisis redesign

In the miniseries that rewrites Superman's origin afterCrisis on Infinite Earths, John Byrne reimagines Brainiac as an artificial intelligence capable of housing itself in a synthetic body distinct from its original biological medium - a conceptual overhaul that would lastingly influence subsequent incarnations of the character, all the way to his television avatar in Smallville. The issue is best known for the first Superman/Batman meeting in post-Crisis continuity, but remains a reference piece for tracing the evolution of the Brainiac concept.

Rarity :high Copper Age circulation, copies available until CGC 9.8 - value driven mainly by the launch of the Byrne continuity rather than by the sole presence of Brainiac
6

Action Comics #866

August 2008 - Geoff Johns (screenplay), Gary Frank (drawing)
Return of the classic Silver Age version, prelude to New Krypton

First chapter of the five-part “Brainiac” arc which marks the return of Gary Frank to the title and replays the original Silver Age incarnation of the character, the same one that appeared in 1958. The story brings back the original Kandor bottle, leads to the death of Jonathan Kent and serves as a direct prologue to the “Superman: New Krypton” saga which will occupy the Superman titles for more than a year. A pivotal issue for those who follow the modern continuity of the character.

Rarity :modern issue with a large circulation, widely available raw or graded CGC 9.8 at entry price - the value is due to its narrative role rather than its rarity
7

Action Comics vol. 2 #8-9

2012 - Grant Morrison (screenplay), Rags Morales (drawing)
New 52 Origin: Brainiac becomes a sprawling entity

In the New 52 relaunch of the series, Grant Morrison and Rags Morales deliver a radically different version of the character: a Lovecraftian-inspired mass of metal tentacles who takes over industrial factories to manufacture an army of robots before shrinking Metropolis itself to the size of a bottle, presenting Superman with an impossible choice between saving Kandor or saving his adopted city. This diptych closes the original trilogy that began with the first issue of the series.

Rarity :High New 52 mintage, very accessible CGC 9.8 copies - ideal entry segment to start a Brainiac collection without a Silver Age budget
8

Superman #23.2: Brainiac

September 2013 - Tony Bedard (screenplay), Pascal Alixe (drawing)
“Villains Month” one-shot focused on the New 52 origin

Published as part of "Villains Month" in September 2013, this one-shot delves deeper into Brainiac's New 52 origin as initiated by Morrison. Like all of the ".1" to ".4" titles of this event, it benefited from a limited edition with lenticular effect (3D) covers on the proportionally rarer copies, a format which created a collector's segment in its own right within the New 52.

Rarity :current standard draw in CGC 9.8; lenticular variant significantly more sought after by Villains Month event collectors

The impact of adaptations on the rating

Brainiac has benefited from almost continuous screen exposure since the mid-2000s, and each new adaptation has mechanically brought the founding issues back into the spotlight. InSmallville, James Marsters plays Dr. Milton Fine, human avatar of Brainiac, for eight episodes of season 5, then returns for a four-episode arc in season 7 before a cameo in season 8 and a final episode in the final season. The series goes further in season 10 by introducing a "Brainiac 5" version also played by James Marsters, created by the Legion after reprogramming the original Brainiac - a direct nod to the lineage established inAction Comics #276fifty years earlier. This recurring presence over nearly six seasons has maintained a deep demand among fans of the series for the character's original comics.

The character then found a new relay with the seriesKrypton(Syfy, 2018-2019), where Blake Ritson lends his features to a Brainiac described as a parasitic artificial intelligence who takes possession of the Voice of Rao, a religious figure from Superman's home planet. Although the series was canceled after two seasons, it brought back the character's "collector of civilizations" dimension - directly inherited from the original plot ofAction Comics #242and its connection with Kandor.

More recently, animation has taken over: the seriesLegion of Super-Heroesbroadcast on Kids' WB between 2006 and 2008 already gave voice to Brainiac 5 (Adam Wylie), whileMy Adventures with Supermanmade Brainiac - voice of Michael Emerson - the main antagonist of its second season in 2024, alongside the arrival of Supergirl. This version, presented as a warrior artificial intelligence designed by Kryptonian scientists, owes a lot to Grant Morrison's reading of the character in the New 52. With each release of a series or season featuring Brainiac, the same phenomenon is repeated on the secondary market: an occasional revival of interest inAction Comics #242etSuperman #167, the two numbers which concentrate the symbolic capital of the character, whatever the adaptation medium.

Buying guide

To delve deeper into the biographical dimension of the character - his powers, his different incarnations and the complete chronology of his appearances - head to ourarticle dedicated to the history of Brainiac, complementary to this selection of key numbers. And to find all the comics, appearances and information related to the character on the site, theBrainiac character sheetcentralizes all available references.

Frequently Asked Questions

Action Comics #242, dated July 1958, by Otto Binder for the script and Al Plastino for the drawing. This issue also introduces the Bottle of Kandor into the same story.
Brainiac 5 (Querl Dox) first appeared in Action Comics #276 (May 1961), in a Legion of Super-Heroes back-up story by Jerry Siegel and Jim Mooney.
Because it completely retcon the origin of Brainiac (became a robot created by the Computer Tyrants of Colu), introduces his definitive design with the grid of red diodes, and marks his first duet with Lex Luthor - three first editorials combined in a single issue.
Its cover with a dark purple background very easily marks corner rubs and discoloration, which makes copies in grade VF (8.0) and above significantly rarer - and more expensive - than Silver Age issues with lighter covers.
It depends on the budget. The Silver Age issues (Action Comics #242 and #276, Superman #167) carry most of the historical value but cost significantly more, even at mid-grade. Modern issues like Grant Morrison's New 52 trilogy or Action Comics #866 make it possible to build a complete collection at an affordable price and in very high CGC grade.